bplist00�_WebMainResource� ^WebResourceURL_WebResourceTextEncodingName_WebResourceMIMEType_WebResourceData_file:///index.htmlUUTF-8Ytext/htmlO- TPA 2212 Sound for the Stage

MUM 1600 Recording Techniques I


updated 11-31-2008 not completed


This course is open to all students. It offers beginners basic information in the art of recording vocal and 

instrumental sound with emphasis on understanding the functions of recording equipment, placement of

microphones, making initial recordings of various groups or soloists, and the ability to mix-down the initial

recordings.


This class is blended class which includes a BlackBoard online component and a once a week lab. 

Do not miss a lab day. Reading assignments, projects and tests are administered online in BlackBoard.


Instructor: Prof. Charlie Phillips

South Campus F-219

11901 Beach Boulevard

Jacksonville, Florida 32246

Office (904) 646-2059

Fax (904) 646-2078

Email phillips@fccj.edu

Website: http://www1.fccj.edu/phillips


BOOKs Used:  

Apple Pro Training Series: Logic Pro 8 and Logic Express 8

Publisher: Peachpit Press

Pub. Date: December 2007

ISBN-13: 9780321502926

507pp

Series: Apple Pro Training Series

Edition Description: Includes DVD-ROM

Live Sound Reinforcement

Scott Hunter Stark
ISBN 13: 978-1-59200-691-5 © 2005
ISBN 10: 1-59200-691-4
Publish date: December 30, 2004
380 pages Hardcover

Week 1

READ 

Book Live Sound Reinforcement

Introduction.

Part I: BasicPrinciples.

Chapter 1: Understanding Recording. 

Chapter 2: Getting the Right Gear.


Book Apple Pro Training Series: Logic Pro 8 and Logic Express 8

No Chapters this week


LAB: SAFETY FIRST - equipment placement and security, audience/students concerns and EARS!

Questions

Who plays an instrument?

Who reads poetry & plays?

Who has recording equipment?

Who has a sound system?

Who has tenitist? 

Set up groups.

DVD: Live Sound Reinforcement Section: intro and Load In 

Recording studio - Start setting


Week 2

READ:

Book Live Sound Reinforcement

Chapter 3: Getting Connected: Setting Up Your Studio. 

Part II: Recording 101. 

Chapter 4: Meeting the Mixer.

Chapter 5: MIDI and Electronic Instruments

Chapter 6: Understanding Microphones.


LAB: 

DVD: Live Sound Reinforcement Section: Setting Up - Getting Connected

Building a simple sound system.

Adding fold back (monitoring system)

Speaker placement

Console and effects - Practice mixing live 

Continue Studio setup and configuring.


Week 3

READ:

Part III: Getting Ready to Record. 

Chapter 7: Getting a Great Source Sound.

Chapter 8: Taking a Look at Microphone Techniques. 

Chapter 9: Miking Your Instruments.


LAB: DVD: Live Sound Reinforcement Section: Tuning the PA 

Practice different miking techniques.

Practice eqing.

Practice effects

Continue Studio setup and configuring. (are we there yet?


Week 4

READ:

Part IV: Laying Track: Starting to Record. 

Chapter 10: Multitrack Recording. 

Chapter 11: Recording Audio.

Chapter 12: Recording and Editing MIDI Data.


Project: Find a youtube recording of a band that is good and one that is bad. Explain why for both. Type a one page with URLs and explain both.


LAB: DVD: Live Sound Reinforcement Section: Amplifying the Band 


Week 5

READ:

Part V: Turning Your Tracks into a Finished Song. 

Chapter 13: Editing Your Performance. 

Chapter 14: Mixing Your Music.


LAB: DVD: Live Sound Reinforcement Section: The SoundCheck 


Week 6

READ:

Chapter 15: Dialing in Signal Processors.


LAB: DVD: Live Sound Reinforcement Section: Electrical Problems


Week 7

READ:

Chapter 16: Mastering Your Music.


LAB: DVD: Live Sound Reinforcement Section: g


Week 8

READ:

Chapter 17: Getting Your Music Out to Listeners. 

Part VI: The Part of Tens. 

Chapter 18: Ten Home Recording Resources. 

Chapter 19: Ten Invaluable Recording Tips. 


LAB: DVD: Live Sound Reinforcement Section: Part 2: Field Segment


Week 9

READ:


Project: Recording and Mixing Vocals


LAB: DVD: Live Sound Reinforcement Section: The Wrap

Live and Recorded sounds/music for stage

Wireless miking actors and musicians


Week 10

READ:


outdoor vs in door sound.


LAB: Stage set up 1


Week 11

READ:


Mixing voices, bands, orchestras.


LAB: Stage set up 2


Week 12

READ:


Special tools - compressor, gate, limiter, enhancers.


LAB: Stage set up 3


Week 13

READ:


Different stages and scenarios.


LAB: Stage set up 1


Week 14

READ:


Lab Review and evaluations


Week 15


Final Exam online


Lab Review and evaluations